Archive for January, 2012

SHARBAT GULA, THE AFGHAN GIRL

Front cover of the June 1985 issue of National Geographic Magazine

Sharbat Gula (born ca. 1972) is an Afghan woman who was the subject of a famous photograph by journalist Steve McCurry. Gula was living as a refugee in Pakistan during the time of the Soviet occupation of Afghanistan when she was photographed. The image brought her recognition when it was featured on the cover of the June 1985 issue of National Geographic Magazine at a time when she was approximately 12 years old.

In 1984 journalist Steve McCurry photographed 12-year old Sharbat Gula in the Nasir Bagh refugee camp in Pakistan.

Pashtun by ethnicity, Sharbat Gula was orphaned during the Soviet Union’s bombing of Afghanistan and sent to the Nasir Bagh refugee camp in Pakistan in 1984. Her village was attacked by Soviet helicopter gunships sometime in the early 1980s. The Soviet strike killed her parents — forcing her, her siblings and grandmother to hike over the mountains to the Nasir Bagh refugee camp in neighboring Pakistan. She married in the late 1980s and returned to Afghanistan in 1992. Sharbat Gula had three daughters: Robina, Zahida, and Alia. A fourth daughter died in infancy. Sharbat Gula has expressed the hope that her girls will receive the education she was never able to complete.

Gula was known throughout the world simply as “the Afghan Girl” until she was formally identified in early 2002.

At the Nasir Bagh refugee camp in 1984, Sharbat Gula’s photograph was taken by National Geographic photographer Steve McCurry on Kodachrome color slide film, with a Nikon FM2 camera and Nikkor 105mm F2.5 lens. The pre-print photo retouching was done by Graphic Art Service, based in Marietta, Georgia. Sharbat Gula was one of the students in an informal school within the refugee camp; McCurry seized a rare opportunity to photograph Afghan women and captured her image.

Although her name was not known, her picture, titled “Afghan Girl”, appeared on the June 1985 cover of National Geographic. The image of her face, with a red scarf draped loosely over her head and with her piercing sea-green eyes staring directly into the camera, became a symbol both of the 1980’s Afghan conflict and of the refugee situation worldwide. The image itself was named “the most recognized photograph” in the history of the magazine. The identity of the Afghan Girl remained unknown for over 17 years; Afghanistan remained largely closed to Western media until after the removal of the Taliban government by American troops and local allies in 2001. Although McCurry made several attempts during the 1990s to locate her, he was unsuccessful.

Sharbat Gula, April 2002

In January 2002, a National Geographic team traveled to Afghanistan to locate the subject of the now-famous photograph. McCurry, upon learning that the Nasir Bagh refugee camp was soon to close, inquired of its remaining residents, one of whom knew Sharbat Gula’s brother and was able to send word to her hometown.

The team finally located Sharbat Gula, then around the age of 30, in a remote region of Afghanistan; she had returned to her native country from the refugee camp in 1992. Her identity was confirmed using biometric technology, which matched her iris patterns to those of the photograph with almost full certainty. She vividly recalled being photographed — she had been photographed on only three occasions: in 1984 and during the search for her when a National Geographic producer took the identifying pictures that led to the reunion with Steve McCurry.

Sharbat had never seen her famous portrait before it was shown to her in January 2002.

The Photographer Steve McCurry. Official Site: http://stevemccurry.com/

Source:
National Geographic
Wikipedia
Thanks to my buddy Tormendadepedos for sharing the photo sharbat-gula-2

YOUTUBE IS BLOCKING A LOT OF VIDEOS LIKE THESE, BUT YOU CAN SEE “THE SEARCH FOR THE AFGHAN GIRL” ON VIMEO:
PART 1/4:

PART 2/4:

PART 3/4:

PART 4/4:

Peripheral vision

Posted: January 30, 2012 in health, humor
Tags: , ,

Peripheral vision is a part of vision that occurs outside the very center of gaze. There is a broad set of non-central points in the field of view that is included in the notion of peripheral vision. “Far peripheral” vision exists at the edges of the field of view, “mid-peripheral” vision exists in the middle of the field of view, and “near-peripheral”, sometimes referred to as “para-central” vision, exists adjacent to the center of gaze.
The loss of peripheral vision while retaining central vision is known as tunnel vision, and the loss of central vision while retaining peripheral vision is known as central scotoma.


The eye as a double system: the foveal system delivers 3 to 4 high quality images per second (via the line of sight). The peripheral system delivers up to 90 blurred images per second

Peripheral vision is weaker in humans, compared with other animals, especially at distinguishing color and shape. This is because receptor cells on the retina are greater at the center and lowest at the edges (see visual system for an explanation of these concepts). In addition, there are two types of receptor cells, rod cells and cone cells; rod cells are unable to distinguish color and are predominant at the periphery, while cone cells are concentrated mostly in the center of the retina, the fovea.

TEST YOUR PERIPHERAL VISION NOW:

– Pay attention to the picture below:


– What in the picture you saw first? The woman or the dog driving the car?
– Car? What car?
– Answer: Some people see only what they want…

R.E.M. Top 5 Videos + Bonus

Posted: January 27, 2012 in lyrics, music
Tags: , , ,

On September 21, 2011, R.E.M. announced their retirement in a news release on its website. Enjoy my Top 5 Videos of R.E.M and see what we going to miss. Official site: www.remhq.com. Official R.E.M. YouTube Channel: http://www.youtube.com/user/remhq

1. LOSING MY RELIGION
(Peter Buck/Michael Stipe/Bill Berry/Mike Mills)
From the album Out of Time

Life is bigger
It’s bigger than you
And you are not me
The lengths that I will go to
The distance in your eyes
Oh no, I’ve said too much
I set it up

That’s me in the corner
That’s me in the spotlight
Losing my religion
Trying to keep up with you
And I don’t know if I can do it
Oh no I’ve said too much
I haven’t said enough

I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try
Every whisper
Of every waking hour
I’m choosing my confessions
Trying to keep an eye on you
Like a hurt lost and blinded fool
Oh no, I’ve said too much
I set it up

Consider this
The hint of the century
Consider this
The slip that brought me
To my knees failed
What if all these fantasies
Come flailing around
Now I’ve said too much

I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try

But that was just a dream
That was just a dream

That’s me in the corner
That’s me in the spotlight
Losing my religion
Trying to keep up with you
And I don’t know if I can do it
Oh no I’ve said too much
I haven’t said enough

I thought that I heard you laughing
I thought that I heard you sing
I think I thought I saw you try

But that was just a dream, try, cry, why, try
That was just a dream, just a dream, just a dream
Dream

SEE LOSING MY RELIGION VIDEO ON YOUTUBE:

2. AT MY MOST BEAUTIFUL
(Peter Buck/Michael Stipe/Mike Mills)
From the album Up

I’ve found a way to make you
I’ve found a way
A way to make you smile

I read bad poetry
Into your machine
I save your messages
Just to hear your voice.
You always listen carefully
To awkwards rhymes.
You always say your name.
Like I wouldn’t know it’s you
At your most beautiful.

I’ve found a way to make you
I’ve found a way
A way to make you smile

At my most beautiful
I count your eyelashes secretly.
With every one, whisper I love you.
I let you sleep.
I know you’re closed eye watching me,
Listening.
I thought I saw a smile.

I’ve found a way to make you
I’ve found a way
A way to make you smile

SEE AT MY MOST BEAUTIFUL VIDEO ON YOUTUBE:

3. DAYSLEEPER
(Peter Buck/Michael Stipe/Mike Mills)
From the album Up

Receiving dept. 3 a.m.
Staff cuts have socked up the overage
Directives are posted.
No callbacks complaints.
Everywhere is calm.
Hong Kong is present
Taipei awakes

All talk of circadian rhythm
I see today with a newsprint fray
My night is colored headache gray
Daysleeper

The bull and the bear are marking
Their territories
They’re leading the blind with
Their international glories
I’m the screen the blinding light
I’m the screen, I work at night.
I see today with a newsprint fray
My night is colored headache gray
Don’t wake me with so much.
Daysleeper.

I cried the other night
I can’t even say why
Fluorescent flat caffeine lights
Its furious balancing
I’m the screen, the blinding light
I’m the screen, I work at night
I see today

Don’t wake me with so much. the
Ocean machine is set to nine
I’ll squeeze into heaven and valentine
My bed is pulling me.
Gravity

Daysleeper, daysleeper.
Daysleeper, daysleeper, daysleeper

SEE DAYSLEEPER VIDEO ON YOUTUBE:

4. THE GREAT BEYOND
(Peter Buck/Michael Stipe/Mike Mills)
From the Original Soundtrack for the movie Man on the Moon

I’ve watched the stars fall silent from your eyes
All the sights that I have seen
I can’t believe that I believed I wished
That you could see
There’s a new planet in the solar system
There is nothing up my sleeve

I’m pushing an elephant up the stairs
I’m tossing up punchlines that were never there
Over my shoulder a piano falls
Crashing to the ground

And all this talk of time
Talk is fine
And I don’t want to stay around
Why can’t we pantomime, just close our eyes
And sleep sweet dreams
Being here with wings on our feet

I’m pushing an elephant up the stairs
I’m tossing up punchlines that were never there
Over my shoulder a piano falls
Crashing to the ground

I’m breaking through
I’m bending spoons
I’m keeping flowers in full bloom
I’m looking for answers from the great beyond

I want the hummingbirds, the dancing bears
Sweetest dreams of you
Look into the stars
Look into the moon

I’m pushing an elephant up the stairs
I’m tossing up punchlines that were never there
Over my shoulder a piano falls
Crashing to the ground

I’m breaking through
I’m bending spoons
I’m keeping flowers in full bloom
I’m looking for answers from the great beyond

I’m breaking through
I’m bending spoons
I’m keeping flowers in full bloom
I’m looking for answers from the great

(repeat next verses 3x each)
I’m breaking through
I’m bending spoons
I’m keeping flowers in full bloom
I’m looking for answers from the great beyond

I’m breaking through
I’m bending spoons
I’m keeping flowers in full bloom
I’m looking for answers from the great

SEE THE GREAT BEYOND VIDEO ON YOUTUBE:

5. EVERYBODY HURTS
(Peter Buck/Michael Stipe/Mike Mills)
From the album Automatic for the People

When your day is long and the night
The night is yours alone
When you’re sure you’ve had enough of this life, well hang on
Don’t let yourself go
Everybody cries and everybody hurts sometimes

Sometimes everything is wrong
Now it’s time to sing along
When your day is night alone (hold on, hold on)
If you feel like letting go (hold on)
When you think you’ve had too much of this life, well hang on

Everybody hurts
Take comfort in your friends.
Everybody hurts
Don’t throw your hand. Oh, no
Don’t throw your hand
If you feel like you’re alone, no, no, no, you are not alone

If you’re on your own in this life
The days and nights are long
When you think you’ve had too much of this life to hang on

Well, everybody hurts sometimes
Everybody cries
And everybody hurts sometimes
And everybody hurts sometimes
So, hold on, hold on
Hold on, hold on
Hold on, hold on
(Hold on, hold on)

Everybody hurts
You are not alone

SEE EVERYBODY HURTS VIDEO ON YOUTUBE:

BONUS: THE ONE I LOVE
(Peter Buck/Michael Stipe/Bill Berry/Mike Mills)
From the album Document

This one goes out to the one I love
This one goes out to the one I’ve left behind
A simple prop, to occupy my time
This one goes out to the one I love

Fire
Fire

This one goes out to the one I love
This one goes out to the one I’ve left behind
A simple prop, to occupy my time
This one goes out to the one I love

Fire
(She’s comin’ down on her own, now)
Fire
(She’s comin’ down on her own, now)

This one goes out to the one I love
This one goes out to the one I’ve left behind
Another prop has occupied my time
This one goes out to the one I love

Fire
(She’s comin’ down on her own, now)
Fire
(She’s comin’ down on her own, now)
Fire
(She’s comin’ down on her own, now)
Fire
(She’s comin’ down on her own, now)

SEE THE ONE I LOVE FROM TOUR FILM 1989 ON YOUTUBE:

Read more about R.E.M. on this blog:
R.E.M. – I don’t believe yet, but it’s over
Happy B-Day, Michael Stipe

Sergey Kovalev is a 28 years old professional photographer. Visit his webpage to see more: http://c-kovalev.livejournal.com/

WARNING: Nude Content.

Internal beauty

Posted: January 26, 2012 in animals, humor
Tags: , ,

Don’t worry mate. What really matters is the internal beauty…